Movies: Video art

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is c...

Ghouls, mutants, zombies, bloodsuckers, ghosts, freaks, vampires and demons are brought back from the dead and reanimated into ectoplasmic goop - it's Halloween, Trick or Treat....

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles....

With this abstract digital video, Murata presents viewers with a field of seething colors and line, within which a suggestive, Rorschach-like formation manages to retain its structure even as it is in a constant state of flux. The mesmerizing tableau...

Paik produced this exuberant, high-speed collage as a commission for the National Fine Arts Committee of the 1980 Olympic Winter Games. In a fractured explosion of densely layered movement and action, images of Olympic sports events are mixed with Pa...

Religions are like cactus. They look like flowers, but with bare blades....

Short film produced in film school that approaches depersonalization disorder by mixing some aspects of video art and video performance....

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also ...

"of reciprocal isolation and foreignness"...

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves person...

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical perfection of the Hollywood studio films of the 1950s, quoting its sets and colours (Home Stories, 1990; Pensão...

A political work in which Ko Nakajima opposes himself to the Vietnam War....

How does the "cultured" gorilla, i.e. Koko, come to represent universal man? Author and cultural critic Donna Haraway untangles the web of meanings, tracing what gets to count as nature, for whom and when, and how much it costs to produce nature at a...

With Grosse fatigue, Camille Henrot set herself the challenge of telling the story of the universe’s creation. Indeed, the fatigue is grosse, or hugely weighty, she who has condemned herself to carrying the weight of the world on her shoulders like t...

Best known for his work in video, Richard Fung has made the politics of gender, ethnicity, and sexual orientation his central focus. Chinese Characters (1986) examines the ambiguous relationship of gay Asian men with white gay porn....

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental....

30 minute loop of a rotation around 3d images....

Film #37 is part of an ongoing exploration of the propagation and diffraction of light through holes and grids....

Video art by Vibeke Sorensen made at Calarts in 1989...

This film was made with the help of a diary, video tapes and a roll of film found in the Lahemaa forest. The owner has been reported missing...