Movies: Video art

Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water....

The Installation, How to be Your Self (Chapter 02 – You Get Dressed), consists of a twin channel video which is projected beside a regzine apron, an iron spool and a seemingly endless scroll of cotton fabric inscribed with hand-painted text. The inst...

Video art by Ernest Gusella made between 1975 and 1980...

A video adaptation of Shannon Sankey's poem Infusions. Readings of the poem are combined with old commercials and home video-styled clips depicting consumer culture. Part of the Visible Poetry Project....

A short video adaptation of the poem "River: Morning" by Yuyutsu Ram Dass Sharma. Part of the Visible Poetry Project....

H(o)me(o)pa®t(h)y is a home entertainment healing system based on Homoeopathic medicine which one can at least to a certain extent autonomously manage as first aid tool, if you are skilled enough. As an allusion to David Cronenberg's Videodrome wher...

"of reciprocal isolation and foreignness"...

Short film made with underexposed video footage....

"A letter to no one, from nobody"....

The funniest thing happened to me the other day......

Experimental film...

Broersen and Lukács construct a replica of Białowieża primeval forest. Roaming this virtual forest is Iranian opera singer Shahram Yazdani, who performs his version of Nature Boy, echoing Nat King Cole’s hit. In Forest on Location, nature is viewed a...

A film about silence and difficulty to tell a story, starting from an interview with the last two former Italian military internees of the German concentration camps, still living in the Cadore valley. Faithful to Italy and not to the Duce, after the...

Film #37 is part of an ongoing exploration of the propagation and diffraction of light through holes and grids....

For this video, Palisades in Palisades, 2014, Rose wanted to expand both her conceptual concerns and her cinematographic repertoire. “I was learning how to make a shot in relation to the content,” she explains, “and how the shots were metaphors for p...