Movies: Video art
- 2005
The Statue of Giordano Bruno (2005)
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This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the phil...
- 1979
Graphic Variations on Telidon (1979)
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"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description in...
- 1969
Bouncing Balls (1969)
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In this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. A...
- 2016
The Was (2016)
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A collaboration between Soda_Jerk and The Avalanches....
- 2023
A short film about one man on new year eve (2023)
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a short story about one man on new year eve...
- 1985
Living in the World (1985)
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An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime....
- 2019
Self—Symbol (2019)
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"This film is a collaborative installation project with Orleans + Winder (Detroit). It examines Nathaniel Dorsky’s writings on Self-Symbols in film as applied to the exhibition and personalization of clothing. Dorsky writes: If you have ever looked a...
- 2017
Technicolor Dream (2017)
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TECHNICOLOR DREAM is a video art of vivid imagery and symbolic scenarios. It is a portrayal of passion,agony,memories and melancholy through unorthodox fusion of sight and sound....
- 1970
Discs (1970)
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In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the indtroduction of purposeful time error. The result is the repetitive abstract pattern of a distorted magnetic...
- 1970
Interface (1970)
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An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its transformation in the electronic sphere....
- 1976
A Movement Within (1976)
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A synthesized video environment....
- 1971
I Am Making Art (1971)
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In an ironic reference to body art, process art and performance, Baldessari challenges definitions of the content and execution of art-making. Performing with deadpan precision, he moves his hands, arms and entire body in studied, minute motions, int...
- 1975
Shadow (1975)
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A political work in which Ko Nakajima opposes himself to the Vietnam War....
- 2013
The Enclave (2013)
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Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiec...
- 1986
Violent Incident: Man-Woman, Segment (1986)
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In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and a...
- 1980
Lake Placid '80 (1980)
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Paik produced this exuberant, high-speed collage as a commission for the National Fine Arts Committee of the 1980 Olympic Winter Games. In a fractured explosion of densely layered movement and action, images of Olympic sports events are mixed with Pa...
- 1969
It Was A Beautiful Day (1969)
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A group of hometown friends come together after the loss of a loved one....
- 2024
Green Grey Black Brown (2024)
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Departing from the traditional factory lines of production on the plastic plant manufacturing industry. From there, the film expands into the realm of synthetic nature, portraying a highly engineered landscape,developed by startups. The images appea...
- 1990
The Machine That Killed Bad People (1990)
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The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. It also addresses the role of electronic media in the struggle for power, and more br...
- 1989
Mao Meets Muddy (1989)
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Director Anthony Ramos joins his good friend, painter Frederick J. Brown, on a trip to Beijing for a retrospective of Brown’s work at the National Museum of China in Tiananmen Square in 1988, the first retrospective of an American artist in China....