Movies: Fluxus
- 1966

No. 4 (1966)
No. 42.61966HD
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace....
![No. 4]()
- 1966

Shout (1966)
Shout51966HD
Close-ups of two faces, shouting at each other....
![Shout]()
- 1966

Trace No. 23 (1966)
Trace No. 235.91966HD
Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso....
![Trace No. 23]()
- 1966

Trace No. 24 (1966)
Trace No. 2451966HD
X-ray sequence of mouth and throat; eating, salivating, speaking....
![Trace No. 24]()
- 1966

Eyeblink (1966)
Eyeblink3.31966HD
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect....
![Eyeblink]()
- 1964

Zen for Film (1964)
Zen for Film5.41964HD
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film mate...
![Zen for Film]()
- 1966

Smoking (1966)
Smoking4.91966HD
Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion....
![Smoking]()
- 1966

End After 9 (1966)
End After 95.81966HD
Word & number gag, no camera....
![End After 9]()
- 1966

Word Movie (1966)
Word Movie6.51966HD
Single frame exposures of words....
![Word Movie]()
- 2006

AFIJN (Misha Mengelberg) (2006)
AFIJN (Misha Mengelberg)02006HD
This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and i...
![AFIJN (Misha Mengelberg)]()
- 1966

Artype (1966)
Artype5.71966HD
Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera....
![Artype]()
- 1966

Invocations of Canyons and Boulders (for Stan Brakhage) (1966)
Invocations of Canyons and Boulders (for Stan Brakhage)61966HD
"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas...
![Invocations of Canyons and Boulders (for Stan Brakhage)]()
- 1966

10 Feet (1966)
10 Feet5.61966HD
Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10...
![10 Feet]()
- 1966

Dots 1 & 2 (1966)
Dots 1 & 261966HD
Single frame exposures of dot-screens....
![Dots 1 & 2]()
- 1966

The Evil Faerie (1966)
The Evil Faerie5.21966HD
Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George Landow, and believes it should be credited to John Cavanaugh. "George Maciunas had a number of films ...
![The Evil Faerie]()
- 1966

Je ne vois rien, je n'entends rien, je ne dis rien (1966)
Je ne vois rien, je n'entends rien, je ne dis rien4.51966HD
Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged....
![Je ne vois rien, je n'entends rien, je ne dis rien]()
- 1966

Sears Catalogue 1-3 (1966)
Sears Catalogue 1-36.51966HD
Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models...
![Sears Catalogue 1-3]()
- 1966

Blink (1966)
Blink51966HD
Flicker: White and black alternating frames....
![Blink]()
- 1966

Wrist Trick (1966)
Wrist Trick6.81966HD
Various gestures of hand held razorblade, single frame exposures....
![Wrist Trick]()
- 1970

Fluxfilm No. 37 (1970)
Fluxfilm No. 3751970HD
Face going out of focus by layering sheets of plastic between camera and subject....
![Fluxfilm No. 37]()




















