Movies: Linda Christanell

1978 Linda Christanell experimental short...

Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in th...

Memories and wishes are giving some color to the non-sense....

1997 Linda Christanell experimental short...

This is the theme of the film: The secret of objects in the huge space and time curve: the not-being-able-to-recognize, the not-being-able-to-grasp, the not-knowing. The curve is presented in the film as a miniature: 24 hours (morning, day, evening, ...

A film about which there are no words - an action with the camera - objects tell a random story - objects are bearers of obsessions -issuing energy as fetishes. Symbols of femininity and masculinity that have become glitter and trinkets are arranged,...

Anna is a portrait of Anna Rheinsberg, and an attempt by Christanell to see herself in her friend: What do women of a certain age have in common, whatconstitutes femininity? One answer would be the objects in one’s life, and what one does with them....

1982 short experimental film by Linda Christanell...

Short experimental film by Austrian filmmaker Linda Christanell...

Double 8 focuses on the encounter with Linda Christanell, artist of the feminist avant-garde of the 1970s [...] In the gesture of mutual filming, images are created in the eyes of the others. The gazes into the camera create a visual loop between th...

...

A house facade as compressed memory, an ephemeral film between inside and out, between then and now. In Linda Christanell's newest film Moving Picture, the opulent presentation of fetishistically decorated tabeaus has made way for a material-transpos...

1984 Linda Christanell experimental short...

1992 Linda Christanell short experimental work...

1978 Linda Christanell experimental short...

A few takes of Barbara Stanwyck and Fred MacMurray, a scene from Billy Wilder’s Double Indemnity, are the starting point for Picture Again: a woman and a man in a car, the murderess and her prey. The images in this sequence are accompanied and superi...