Movies: Vivian Ostrovsky

  • 1982
    Movie

    Movie (1982)

    Movie

    61982HD

    With a super 8 camera from Paris to Berlin, from Amsterdam to Rio, from Jerusalem to New York shooting only at night. Hungarian crooners, Indian tribal chants, opera arias, and an occasional samba make up the sound track of this “hand-held” diary....

    Movie
  • 1987
    ***

    *** (1987)

    ***

    01987HD

    Sarah and Paul leave their native California once a year to eat their way through France. They test the Michelin guide’s recommendations for three-star restaurants (the top rating) and between meals still have time to do some wine tasting at the best...

    ***
  • 2020
    Son chant

    Son chant (2020)

    Son chant

    02020HD

    Going through my mini DVs shot over the past decade, I rediscovered a forgotten night sequence of Chantal Akerman and Sonia Wieder-Atherton leaving a brasserie where we had dined together in Montparnasse. The excerpt stayed with me for a while. This...

    Son chant
  • 1984
    Portraits / Mirrors

    Portraits / Mirrors (1984)

    Portraits / Mirrors

    01984HD

    A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann Beauvais, Jean-Michel Bouhours, Gérard Courant, Berndt Deprez, Bertrand Gadenne, Mythia Kolésar, Christian Lebrat,...

    Portraits / Mirrors
  • 2011
    Wherever Was Never There

    Wherever Was Never There (2011)

    Wherever Was Never There

    02011HD

    An intimate film made on the occasion of the 30th anniversary of Vivian Ostrovsky's father, Rehor Ostrovsky’s death. The film is pasted together using artifacts from and footage of places and situations that form a part of the everyday nature of tra...

    Wherever Was Never There
  • 1984
    Allers-Venues

    Allers-Venues (1984)

    Allers-Venues

    01984HD

    A month in the country. In summer, a group of friends rent a house in southern France. People come and go, making their way through chickens, dogs and cats. Playful sounds and a wacky collage of music make up the soundtrack....

    Allers-Venues
  • 2005
    Ice/Sea

    Ice/Sea (2005)

    Ice/Sea

    02005HD

    Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more....

    Ice/Sea
  • 2001
    Cinexpérimentaux #3: Vivian Ostrovsky

    Cinexpérimentaux #3: Vivian Ostrovsky (2001)

    Cinexpérimentaux #3: Vivian Ostrovsky

    02001HD

    Vivian Ostrovsky is a nomad film-maker, born in New York. Student in Brazil then in Paris, which takes its camera of continent in continent since 1980. Her work, in the border of the documentary and the experimental, touches the filmed journals and i...

    Cinexpérimentaux #3: Vivian Ostrovsky
  • 2003
    Nikita Kino

    Nikita Kino (2003)

    Nikita Kino

    02003HD

    The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era....

    Nikita Kino
  • 2007
    Telepattes

    Telepattes (2007)

    Telepattes

    02007HD

    A felinosophy of life....

    Telepattes
  • 1992
    M.M. In Motion

    M.M. In Motion (1992)

    M.M. In Motion

    01992HD

    "Vivian Ostrovsky's intriguing film focuses on the French dancer- choreographer Mathilde Monnier, now the director of the National Choreographic Center of Montpellier. Like the dance film it is paired with, M.M.in MOTION exhibits a surrealist sensibi...

    M.M. In Motion
  • 1998
    Passages

    Passages (1998)

    Passages

    01998HD

    Originally a text in fragments, more or less biographical, of different characters. Crossed stories, mixed times, memories and inventions. Coming from the voices encountered. They look like text like sisters. They are the voices of memory, the shado...

    Passages
  • 1983
    Copacabana Beach

    Copacabana Beach (1983)

    Copacabana Beach

    01983HD

    A humorous glimpse of what happens every morning on the wavy sidewalks of Copacabana Beach. Physical fitness, Brazilian style, with a dash of soccer and hints of Carmen Miranda....

    Copacabana Beach
  • 2009
    The Title Was Shot

    The Title Was Shot (2009)

    The Title Was Shot

    02009HD

    Composed of fragments from over 25 films dating from the 1920s to the 90s. A faced-paced, heart-pounding cinephilic farce....

    The Title Was Shot
  • 2008
    Fone Fur Follies

    Fone Fur Follies (2008)

    Fone Fur Follies

    02008HD

    Fone Fur Follies is the English version of Télépattes....

    Fone Fur Follies
  • 2008
    P.W. – Paintbrushes and Panels

    P.W. – Paintbrushes and Panels (2008)

    P.W. – Paintbrushes and Panels

    5.62008HD

    This video was made for an exhibition in Rio on Paulo Werneck, one of Oscar Niemeyer's collaborators. Werneck was the first to introduce mosaics in Brazilian Modernist architecture. P.W. shows the context of the artist's work in Rio and Belo Horizont...

    P.W. – Paintbrushes and Panels
  • 1988
    Eat

    Eat (1988)

    Eat

    01988HD

    An observation of humans' and animals' table manners as they gulp down breakfasts, lunches, cocktails and dinners in a variety of situations....

    Eat
  • 1996
    Public Domain

    Public Domain (1996)

    Public Domain

    01996HD

    Brooklyn boxers and boucing balls.Catalan dancers and Provençals dogs. The Douro, the Danube, Biarritz, Brazil. In super 8 colours and black and white sounds....

    Public Domain
  • 1993
    Kleist

    Kleist (1993)

    Kleist

    01993HD

    Readings. Heinrich von Kleist / Robert Walser. Contiguous. They talk about imagination. Walser imagines Kleist, Kleist nobody, but Penthesilea. In the new desert islands that are the enclaves of flowers of the city. Roses of sidewalks. Wild spaces w...

    Kleist
  • 2016
    But Elsewhere Is Always Better

    But Elsewhere Is Always Better (2016)

    But Elsewhere Is Always Better

    02016HD

    A new short film by Vivian Ostrovsky remembering Chantal Akerman, beginning with their first meeting in the early 1970s. Using her own footage of Chantal Akerman, the filmmaker remembers a few moments that illustrate Chantal's personality. Forty year...

    But Elsewhere Is Always Better