Movies: Marie Menken
- 1965

Andy Warhol Screen Tests (1965)
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The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls...
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- 1964

Dionysus (1964)
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In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, an...
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- 1958

Narcissus (1958)
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A film poem, a re-telling of the Greek myth in modern terms. In the traditional pool the water has become muddy and Narcissus finds that mirrors are more rewarding for the study of his changing reflections. There are three mirrors, each reflecting a ...
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- 1965

The Life of Juanita Castro (1965)
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A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family....
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- 1966

Chelsea Girls (1966)
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Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up....
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- 1968

Diaries, Notes, and Sketches (1968)
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Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scen...
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- 1965

Bitch (1965)
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“Andy Warhol called Marie Menken and Willard Maas ‘the last of the great bohemians,’ and, in 1965, made Bitch, his real-life parody of Edward Albee’s play Who’s Afraid of Virginia Woolf?, with Willard and Marie sitting on the couch in their living ro...
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- 1965

Prison (1965)
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Inspired by Bibbe Hansen's experiences in a juvenile detention center....
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- 1961

Arabesque for Kenneth Anger (1961)
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Filmed at the Alhambra in Spain in just one day, according to Marie Menken. Arabesque for Kenneth Anger concentrates on visual details found in Moorish architecture and in ancient Spanish tile. The date 1961 refers to the addition of Teiji Ito's soun...
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- 1943

The Geography of the Body (1943)
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A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye...
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- 1965

Andy Warhol (1965)
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Andy Warhol is a lyrical exploration of Warhol's creative process by filmmaker, painter, and actress Marie Menken. Using a hand-held camera, Menken captures Warhol and his assistants, including Gerard Malanga, as they work at the Factory. The result ...
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- 1952

Image in the Snow (1952)
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A young male protagonist dreams of a muscleman hero, a black dancer, and a princess who gives him a magic urn. When he wakes he rejects his mother (Menken) and wanders the cold streets, where he finds his dream characters corrupted or dying....
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- 1962

Moonplay (1962)
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An expansion upon an idea put forward in Marie Menken's film Notebook; single-frame footage of the moon shot on various nights, blinking and darting around within Menken's field of vision....
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- 1957

Hurry, Hurry! (1957)
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In this strange little film, Marie Menken photographs billowy flames superimposed over microscopic medical footage of writhing spermatozoa....
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- 1945

Visual Variations on Noguchi (1945)
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A voice occasionally says a word or two: "on the sidewalk" or "lithium" or a woman's name. A hand-held camera frames parts of sculptures, or moves across their surfaces, sometimes slowly, sometimes quickly, almost always in close-up. The soundtrack, ...
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- 1966

Lights (1966)
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Shot over a period of three years. Marie Menken photographed New York window displays during the Christmas holiday. In order to avoid foot and street traffic interrupting the shots, Menken filmed from midnight to 1:00 in the morning, but had to keep ...
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- 1966

Sidewalks (1966)
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Photography: Willard Maas and John Hawkins. "Looking down instead of around, while walking, finding the magic patterns in the pavements of a city."--John Hawkins...
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- 1964

Lita's Party (1964)
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Film shot by filmmaker Marie Menken in the mid-1960s. Preserved by the Anthology Film Archive (AFA)....
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- 1961

Bagatelle for Willard Maas (1961)
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"This is a new version of the now famous film made for her husband, the poet and film-maker. Returning from the Brussels fair, she shot this at Versailles and the Louvre. There is wit, irony and prophecy here (though perhaps not apparent to those who...
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- 1967

In Search of the Miraculous (1967)
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In the Search of the Miraculous is a multi-levelled story realized with extremely personal techniques and with the kind of atmosphere of Poetry and Introspection, only a poet could create. It is, in fact, the story of a poet searching himself through...
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