Movies: Stephen Dwoskin

Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so....

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do....

Reel 13 of Gérard Courant's on-going Cinematon series....

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with another – or is the camera position that of voyeur or protagonist? The only way to figure it out is to sp...

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin prese...

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie' tragically suggesting how a projection can become more substantial than the self behind it. Its subjects are...

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic...

A group of strangers explore their fantasies over a period of five days....

Filmed in New York in 1964, completed in London 1967....

A portrait of a relationship between a physically disabled man and an able-bodied woman....

An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as the women....

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the te...

The beginning of the prevalent theme – or question – what keeps us apart, even when together? This question in the later film not just the question, but as a statement…...

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches through the many levels of pain and finds it in its unique position between disaster and pleasure. Pai...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the works of avant-garde filmmaker Stephen Dwoskin. Aesthetically captivating and conceptually interesting, Dwoskin’s films focus ...

"Hi Steve" and "Dear Robert" exchanged between two filmmakers: Robert Kramer and Stephen Dwoskin. "The Videoletters strip away the formalities that had littered our work and thinking. Through the making of the 'video letters' we started to relearn an...

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946....

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based on a loop of an anonymous homeless man singing the song. The man’s voice is progressively intensified by a...

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous 8-hour session. Trixi records Beatrice Cordua’s responses to the situation, from initial shyness, fear and...