Movies: Ernie Gehr
- 1968

Huge Pupils (1968)
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In 1968, Noren finished Huge Pupils, a gorgeous, sensuous, sexually outrageous visual study of his daily life, and part I of an ongoing series he would come to call The Adventures of the Exquisite Corpse....
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- 2002

Cotton Candy (2002)
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Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—i...
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- 2007

Water Spell (2007)
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"Sandy Ding's WATER SPELL is a bold, abstract journey that takes us into the psychic interior of our very cellular structure... and back. For me, this film is about reincarnation and transformation, on both the spiritual and sub-atomic levels. This i...
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- 1991

Rear Window (1991)
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"[A] view from a Brooklyn apartment sublimates Hitchcock's voyeurism into a frenzied engagement with the visible. The film varies exposure or racks focus so that the flickering, spatially ambiguous patterns that press the limits of the frame momentar...
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- 1968

Wait (1968)
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"Completed shortly after Morning, Wait is a vivid depiction of the cinematic process of recording images on film. From frame to frame……. this work offers a sense of film emulsion coming to life, and responding to the forces of light. In addition shif...
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- 2004

Workers Leaving the Factory (after Lumière) (2004)
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16mm film (black and white, silent)...
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- 1977

Untitled (1977)
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"Untitled begins with a flat, out-of-focus, reddish-pink screen on which blurry white patterns quickly appear and disappear. After awhile a space seems to emerge behind the screen. The swiftly changing patterns generate an experience of soft floati...
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- 1971

Still (1971)
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"This collapse of separate times into one image creates another push/pull with the experience of depth. The superimpositions seem to lie on top of the image, yet they move into depth, creating what Gehr describes as a 'teasing play with planes.' Bu...
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- 2021

Undertow (2021)
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“The eyes may be attracted to look left and right – and please let them – but the center is also intriguing and not separable from the rest. Among other things, a side view is transformed into a frontal view, but of course, that is not all.” - Ernie ...
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- 1970

History (1970)
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"Film in its primordial state in which patterns of light and darkness are still undivided. Like the natural order of the universe, an unbroken flow in which movement and distribution of tension is infinitely subtle, and a finite orientation seems im...
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- 2024

Carroll Gardens (2024)
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“We are confronted with everyday images in a romantic way. If you are patient, you eventually see a deli sign that says ‘Carroll Gardens,’ a bike, a stroller. These images are initially obscured, but through repetition become recognizable, until Erni...
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- 2007

Shadow (2007)
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A meditation on silence, vanishings, and phantoms of light....
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- 2024

South Station (2024)
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South Station (2024) 19 min. Color. Sound....
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- 2010

Mist (2010)
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Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes...
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- 1970

Serene Velocity (1970)
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"Serene Velocity (1970) created a stunning percussive head-on motion by systemically shifting the focal length of a stationary zoom lens as it stared down the center of an empty institutional hallway – thus playing off the contradiction generated by ...
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- 2017

Autumn (2017)
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The ever changing Lower East Side....
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- 2010

Chambers of Time (2010)
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2010. USA. Directed by Ernie Gehr. Digital. 8 min....
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- 2004

The Collector (2004)
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"What drives the collector? Textures. Colors. Dust. Phantasmagoric memories and associations. A scattering. The present. The passage of time. Sleep." - E.G....
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- 2015

Transport (2015)
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The missing chapter of Schivelbusch's The Railroad Journey. A museum piece. Recorded in Berlin, Feb. 2015....
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- 1974

Eureka (1974)
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"This is a film that not only documents a place in time, but a modern spatial vision, a look and technology that makes this street the sort of place it is. And here in this preserved piece of history, one also sees the chemical dance of film grain th...
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