Movies: Erin Espelie

Three years ago, honeybees started to disappear. Today there are at least 33% fewer bees in the U.S., and with bees helping to pollinate one in every three bites that we eat, everyone is at risk. We set out to discover what was plaguing these hives a...

Our imagination is equally confounded, said the 18th-century Swiss naturalist Charles Bonnet, by the infinitely great and by the infinitely small. Confounding, too, can be the instruments and empirical mechanisms we have to gauge immensity, particula...

Attempting to fix, replicate, reanimate, or gather data can estrange us further from what we seek to know....

A distillation of references to the sea in James Joyce's Ulysses, and a tangible look at the material effects of an aging Super8-mm camera....

A queer contemporary re-imagining of the Odyssey. Odysseus wracked with guilt for the loss of his crew returns home in search of a lost love. An experimental narrative told through still photographs, collage, video, found footage and animation....

Try as we might, we cannot autopsy (from Greek, to see for oneself) the whole natural world. As diversity of life reduces, we further lose the ability to be amphibious (from Greek, to lead dual lives), to be above a surface and below, not to mention ...

20 min, HD video, color, sound...

made for the Frontier Drive-In, Earth Day 2022...

Using found sound from Disney's 1940-50s nature documentaries, this trilogy creates a mismatch between the digital image and historic/histrionic voiceover. It confounds traditional nature documentaries by adhering to strict time and spatial limits, a...

Humans have used moss for at 1,000 years to help heal their injuries. --Smithsonian Magazine, 2017. Mosses and other small beings issue an invitation to dwell for a time right at the limits of ordinary perception. --Robin Wall Kimmerer, 2003. The wor...

Radicals organize the chaotic swarm of characters into a logical system. Traditional Chinese groups all characters according to 214 radicals (simplified uses 189), which are organized based on the number of strokes into a chart called the bushou. Eac...

A film for A.R. Ammons, author of Garbage: A Poem (1993), and baculovirologist Lois Miller. 10 quintillion insects live on the planet—that is, 300 pounds of insects for every pound of human flesh. They drive decomposition, dissolution, and decay that...

Valleys of Fear weaves together disparate histories, stories, pathologies, in order to find commonalities with current realities and to explore the pull between the rational and irrational: the human impulse to make “scientific and objective” judgmen...

Underwater creatures—snapping shrimp, bearded seals, sperm whales—populate the soundscape here, alongside the ghost voice of biologist Lynn Margulis, who rails against authority, societal amnesia and easy answers to explain the beauty of complex inhe...

Here, a group of women tell of how they came to arrive at an isolated ashram atop a mountain and what life there has been like both before and after the death of their guru....

10 quintillion insects live on the planet—that is, 300 pounds of insects for every pound of human flesh. They drive decomposition, dissolution, and decay that makes way for the new. They run counter to the Anthropocene, which is about accumulation, c...

(made for video exhibition loop, MediaMatic Gallery)...

In his introduction to the 1909 edition of The Golden Bowl, Henry James wrote, "My instinct appears repeatedly to have been that to arrive at the facts retailed and the figures introduced by the given help of some other conscious and confessed agent ...

Boletus, amaryllis, anolis, listeria, wisteria, nematoceara: nothing is linear in evolution, nor in life nor in light. We radiate out on waves, then flux along the spokes of an orb-weaver’s web, the barbs of a boundary fence. Species in a constant st...

This installation, like so many others, is outdoors. It cannot really be seen, for its primary object, will, if looked at directly, burn, damage, even ruin the eyes. You look, instead, around the place. You see that object, that light, reflected in o...