Movies: Pip Chodorov

Portrait, alternating interviews and extracted from Pip Chodorov's films who evokes its conception of the experimental movies, the links of some of his films with photography. Their character, sometimes improvised, sometimes composed. He’s and editor...

In December, Armando and Rim invite me to their wedding. I miss the ceremony but film the reception. Maurice Lemaître is the witness. Later in the evening, I go to a concert by Katie O'Looney where Rose Lowder screens her films. We see other friends ...

About ends and memory, the end of an era. I film to remember: the end of a summer, of a family, a last trip to Vermont before a separation, grandparents getting older.... I film impromptu, dissolving and fading in the camera. At night I hand-develop ...

"This film is close to End Memory. Under the shock of a recent break-up I built a film with similar elements: a day of nostalgia in the countryside, the picking of blackberries, the meal, having fun with friends, at the edge of the pond, the sunset, ...

A complement to the previous film (Numéro 4, 1989) : the fictional hero has the power to stop the projector, returning the cinema to its photographic origins, killing its motion. Having the unfortunate idea of taking his self-portrait, he finds himse...

A short film by Pip Chodorov...

Romanian fairy tales usually start with the sentence: “Once upon a time something happened, if it hadn’t happened it couldn’t be told.” In this fairy tale, a stranger visits the remote mountain village of Slon....

In "Faux Mouvements", forward and backward motions occur together, movement in different directions are combined. We perceive motion in images that are in fact still. We can also see references to the spiral of the film reel, and the negative and pos...

short documentary about the making of Dyn Amo...

The double, the shadow of the subject, refers to the paradox that is at the heart of the human condition: the uniqueness of the viewer and looked, the voyeur seen. Filmed back from New York in Paris in the winter of 1998, this film brings us back to...