Movies: Marjorie Keller

Working in the diaristic mode of lyrical cinema, Marjorie Keller arranges fleeting impressions of a summer vacation as pearls on a string. Her deliberate rhyming of color and light contrasts wondrously with the incidental nature of the scenes depicte...

"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K...

"The film opens and there is a disfunction of the camera that gives two images at once. The tension between the first and the second, the wrestle to see which becomes dominant is like the tension between an observed couple. This couple is two singula...

"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K...

HEREIN charts the movement from political activism to filmmaking through the metaphor of a dwelling. An FBI film obtained under the Freedom of Information Act, Emma Goldman's autobiography, the making of films on the Lower East Side in New York, stre...

Georgic I: The annual produce first seen in spring. The furrowed earth ready for planting. The distribution, support and protection of young plants. The implements of the garden. Georgic II: The life of Virgil is recapitulated in summer, with a digre...

The first two in a series of in-camera edited films by Marjorie Keller. ANCIENT PARTS portrays the symbolic differentiation and mock conquest of a boy and his mother. FOREIGN PARTS portrays the poetics of family life in an unfamiliar context. Two joi...

Fleeting 8mm views of the Rhode Island coast reach beyond the home movie towards deeper mysteries of light and presence. With window-framed shots, intimate shadows and a few sly self-portraits, Marjorie Keller gestures towards a subjectivity of the l...