Movies: Peter Tscherkassky

  • 1994
    Parallel Space: Inter-View

    Parallel Space: Inter-View (1994)

    Parallel Space: Inter-View

    6.71994HD

    Parallel Space: Inter-View is made with a photo camera. A miniature photo is exactly the size of two film frames. Optically it resembles a flickering double exposure; the former temporal and spatial unity disintegrates into pieces which have a corres...

    Parallel Space: Inter-View
  • 2006
    Instructions for a Light and Sound Machine

    Instructions for a Light and Sound Machine (2006)

    Instructions for a Light and Sound Machine

    5.92006HD

    An attempt to transform a Roman Western into a Greek tragedy....

    Instructions for a Light and Sound Machine
  • 2014
    Peter Tscherkassky – Kino aus der Dunkelkammer

    Peter Tscherkassky – Kino aus der Dunkelkammer (2014)

    Peter Tscherkassky – Kino aus der Dunkelkammer

    02014HD

    In this Documentary Peter Tscherkassy talks about his work and he demonstrates in the Darkroom how his Movies are made....

    Peter Tscherkassky – Kino aus der Dunkelkammer
  • 1981
    Blood-Letting

    Blood-Letting (1981)

    Blood-Letting

    3.71981HD

    Aderlaß is a youthful attempt to process the inheritance of the Vienna Actionists through the use of a super 8 camera. In front of the camera is a performance from Armin Schmickl Sebastiano (Peter Tcherkassky). A game with light and sound that explod...

    Blood-Letting
  • 1993
    Memoirs of My Nervous Illness

    Memoirs of My Nervous Illness (1993)

    Memoirs of My Nervous Illness

    01993HD

    On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. T...

    Memoirs of My Nervous Illness
  • 1989
    Tabula Rasa

    Tabula Rasa (1989)

    Tabula Rasa

    51989HD

    The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in theory is rendered as film in Tabula Rasa. At the beginning ...

    Tabula Rasa
  • 1986
    Kelimba

    Kelimba (1986)

    Kelimba

    61986HD

    Alternating between recognizable and abstract picture worlds, between theoretical reflection and lush sensuality is the main distinguishing characteristic of Peter Tscherkassky's work. That is particularly true when he concerns himself with filmic sp...

    Kelimba
  • 1984
    Ballett 16

    Ballett 16 (1984)

    Ballett 16

    5.71984HD

    256 frame enlargements of a continuous dance movement were dissected into 16 segments, each consisting of 16 frames. These segments were rearranged and rephotographed frame-by-frame. The resulting synthetic composition of movement was rephotographed ...

    Ballett 16
  • 1999
    The Arrival

    The Arrival (1999)

    The Arrival

    5.41999HD

    The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reasse...

    The Arrival
  • 1987
    Shot / Countershot

    Shot / Countershot (1987)

    Shot / Countershot

    5.51987HD

    Not a stage direction, but rather something very concrete is hidden behind the technical term. Something which betrays a little of the yearning for intelligent and playful dealings with the medium of short film…...

    Shot / Countershot
  • 1983
    Holiday Film

    Holiday Film (1983)

    Holiday Film

    6.31983HD

    A woman on a meadow, strolling around, narcisstically involved, wandering. Now and again one can see her breasts through her half-opened shirt. The camera films with a powerful telephoto lens. This idyll is radically destroyed when the woman suddenly...

    Holiday Film