Movies: David Gatten

  • 2016
    Narrow Rivers, Open Seas & Seventeen Sunsets (Silences for A Merchant Mariner)

    Narrow Rivers, Open Seas & Seventeen Sunsets (Silences for A Merchant Mariner) (2016)

    Narrow Rivers, Open Seas & Seventeen Sunsets (Silences for A Merchant Mariner)

    02016HD

    The last time I had dinner with Peter we spoke of sunsets – both sunsets we had experienced and sunsets we had filmed – and, of course, of boats; shrimp boats in particular. We made a plan to share with each other all the rolls of all the sunsets we'...

    Narrow Rivers, Open Seas & Seventeen Sunsets (Silences for A Merchant Mariner)
  • 2008
    Today! (excerpts)

    Today! (excerpts) (2008)

    Today! (excerpts)

    02008HD

    Continuation of the "Today!" collaboration between David Gatten and Jessie Stead....

    Today! (excerpts)
  • 1998
    What The Water Said, Nos. 1-3

    What The Water Said, Nos. 1-3 (1998)

    What The Water Said, Nos. 1-3

    61998HD

    The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days in October of 1997, and again, for a day, in August of 1998, lengths of unexposed, undeveloped f...

    What The Water Said, Nos. 1-3
  • 2013
    By Pain and Rhyme and Arabesques of Foraging

    By Pain and Rhyme and Arabesques of Foraging (2013)

    By Pain and Rhyme and Arabesques of Foraging

    02013HD

    This timeless experimental film draws on the work of 17th century scientist Robert Boyle to present a varied combination of texts, objects, colours and textures. The traditional tone of the cinematic impressions takes us back into the past (evocation...

    By Pain and Rhyme and Arabesques of Foraging
  • 1999
    Moxon’s Mechanick Exercises or the Doctrine of Handy-Works Applied to the Art of Printing

    Moxon’s Mechanick Exercises or the Doctrine of Handy-Works Applied to the Art of Printing (1999)

    Moxon’s Mechanick Exercises or the Doctrine of Handy-Works Applied to the Art of Printing

    51999HD

    "Linked together by the texturality of forgotten objects and frayed (or physically manipulated) imprinted text images, the film represents a thematic collapsing of distinct objects that further erases the bounds between image (and text) from meaning,...

    Moxon’s Mechanick Exercises or the Doctrine of Handy-Works Applied to the Art of Printing
  • 2008
    Today! (excerpts #28 and #19)

    Today! (excerpts #28 and #19) (2008)

    Today! (excerpts #28 and #19)

    02008HD

    Continuation of the "Today!" collaboration between David Gatten and Jessie Stead....

    Today! (excerpts #28 and #19)
  • 2010
    So Sure of Nowhere Buying Times to Come

    So Sure of Nowhere Buying Times to Come (2010)

    So Sure of Nowhere Buying Times to Come

    62010HD

    "Excerpts from Sir Thomas Browne's 1658 text Hydriotaphia Urne-Buriall Or, A Brief Discourse of the Sepulchrall Urnes Lately Found in Norfolk are superimposed with the stone faces of grave markers and burial urns. This image-text bookends a series ...

    So Sure of Nowhere Buying Times to Come
  • 2007
    What The Water Said, Nos. 4-6

    What The Water Said, Nos. 4-6 (2007)

    What The Water Said, Nos. 4-6

    62007HD

    Strips of previously unexposed film went into the ocean and these fragments are what returned. In this final installment of a nine year project documenting the underwater world off the coast of South Carolina, both the sounds and images are the resul...

    What The Water Said, Nos. 4-6
  • 2009
    Ordinary Time, Equivocal Inventory

    Ordinary Time, Equivocal Inventory (2009)

    Ordinary Time, Equivocal Inventory

    02009HD

    10 minutes, color, silent, 16mm...

    Ordinary Time, Equivocal Inventory
  • 2008
    Film for Invisible Ink, Case No. 142: ABBREVIATION FOR DEAD WINTER [Diminished by 1,794]

    Film for Invisible Ink, Case No. 142: ABBREVIATION FOR DEAD WINTER [Diminished by 1,794] (2008)

    Film for Invisible Ink, Case No. 142: ABBREVIATION FOR DEAD WINTER [Diminished by 1,794]

    02008HD

    “A single piece of paper, a second stab at suture, a story three times over, a frame for every mile. With words by Charles Darwin. A long-distance dedication for a far-away friend halfway up the mountain.” —David Gatten...

    Film for Invisible Ink, Case No. 142: ABBREVIATION FOR DEAD WINTER [Diminished by 1,794]
  • 2015
    Crossing Brooklyn Ferry

    Crossing Brooklyn Ferry (2015)

    Crossing Brooklyn Ferry

    02015HD

    Past visions of future utopias suggest a manner of movement to make one's way through life. Pigment and paint, sun and snow, ice and rain form figures on fixed-out filmstock. A Birthday Celebration, as Walt Whitman might have it, for the present, but...

    Crossing Brooklyn Ferry
  • 2011
    The Matter Propounded, of Its Possibility and Impossibility, Treated in Four Parts

    The Matter Propounded, of Its Possibility and Impossibility, Treated in Four Parts (2011)

    The Matter Propounded, of Its Possibility and Impossibility, Treated in Four Parts

    02011HD

    Close your eyes. Take a deep breath. Concentrate your attention. What Question will you ask? The Matter Propounded... makes use of an early 20th-century “Tablet of Jupiter” system for attempting to tell one’s future. The film invites viewers to make...

    The Matter Propounded, of Its Possibility and Impossibility, Treated in Four Parts
  • 2016
    Devotions Upon Emergent Occasions

    Devotions Upon Emergent Occasions (2016)

    Devotions Upon Emergent Occasions

    02016HD

    Four uncut camera rolls, unspooled intermittently across thirteen years. One is a portrait of a friend, another is of a particular plant, the third of one kind of family, the fourth of another kind; all of them photographed to mark a particular time ...

    Devotions Upon Emergent Occasions
  • 1995
    Silver Align

    Silver Align (1995)

    Silver Align

    01995HD

    A portrait of one of Gatten's mentors, the filmmaker Zack Stiglicz, filming on the shore of Lake Michigan....

    Silver Align